Mercedes Mone Highlights AEW All Out Match That ‘Stole the Show’
In a latest remark, Mercedes Mone, one of the maximum recognizable faces in expert wrestling, pointed to one healthy that left an indelible mark on her all through AEW’s All Out event in Chicago. Although Mone herself claimed victory in her fit in opposition to former AEW Women’s Champion Hikaru Shida, she took a second to praise some other bout on the card that she believes absolutely “stole the display.”
At All Out, Mercedes Mone maintained her status as a dominant champion through defeating Shida in a smooth victory, no outside help worried. With a fast Mone Maker slam, she prolonged her reign as TBS Champion, silencing critics who would possibly have anticipated interference from Kamille, Mone’s occasional best friend. While her fit might not be marked in records as an unforgettable traditional, Mone’s attention become drawn some other place—especially, to the hard-hitting contest between Kris Statlander and Willow Nightingale.
The fit between Statlander and Nightingale wasn’t only a bout, it changed into a Street Fight, and it changed into brutal. What made it stand out became the creativity and depth both ladies brought to the desk. In a fit that noticed a big range of weapons in use, Statlander subsequently claimed victory by using wrapping a sequence around Willow’s neck and mouth, forcing her to end. The violence of the encounter left enthusiasts shocked, and it caught the eye of Mercedes Mone, who couldn’t help however applaud the competition for their fearless technique.
In her Mone Mag newsletter, Mercedes shared her thoughts at the fit with resounding praise, stating that Statlander and Nightingale’s conflict turned into “palms down” the excellent match of the night time. “It was one of the best women’s matches of the year, and one of the greatest women’s street fights I have ever seen—ever!” Mone wrote with passion. She confessed that she was glued to the monitor throughout the entire match. “Kris and Willow hooked me from go. Our women’s division just keeps ascending,” she added, reflecting her pride in the advancement of women’s wrestling within AEW.
Statlander and Nightingale’s match didn’t just resonate with Mone, even though. Wrestling journalist Dave Meltzer, known for his stringent match rating system, presented the Street Fight an outstanding ****three/four rating. Given the scale frequently levels from zero to 5 stars, Meltzer’s rating put it the various maximum-rated ladies’s fits in AEW records—a great accolade for a enterprise striving to raise its girls’s division.
But Mercedes Mone’s reflections didn’t cease there. She took the opportunity to comment on the general tone of All Out, especially the violent undertones of some of the fits. For Mone, this isn’t necessarily a horrific thing, however it’s something that calls for a delicate stability. She noted the grueling bout between Adam Page and Swerve Strickland, a match that featured cinderblocks, sharp items, and even needles. Jon Moxley’s debatable movements against AEW World Champion Bryan Danielson, where Moxley placed a plastic bag over Danielson’s head, added any other layer of depth to the occasion.
While Mone acknowledged the effectiveness of such excessive strategies in catering to certain audiences, she additionally expressed a few personal reservations. “Daniel Bryan’s stuff was tough to watch. I have mixed emotions,” she admitted. “When done right, that kind of stuff can tear the roof off like Daniel’s did. However, I wouldn’t want my brother Joshua to watch stuff like that, or kids, for that matter.” Mone’s concern stems from wrestling’s multi-generational appeal. Fans come in all ages, and it’s not uncommon to see children watching alongside their parents. For Mone, who grew up without a father, those family moments hold a deep emotional significance. “It especially warms my heart to meet families and hear how much their wrestling viewing experiences and memories mean to them,” she said.
Still, she recognized the need for diversity in wrestling content. AEW has carved a niche for itself by delivering a variety of match styles, catering to different types of fans. “There is an audience that loves the extreme, and you want to cater to them, too,” Mone concluded.
With the subsequent AEW pay-according to-view, WrestleDream, set for October 12, enthusiasts are eagerly awaiting to peer who Mercedes Mone will face subsequent. While her opponent is but to be found out, one factor is apparent: as one in every of AEW’s biggest stars, Mone is positive to have a pivotal position inside the event.
